Belle and Sebastian. The Selecter. Living In A Box. Slowdive. Tin Machine. Talk Talk. The Colour Field. Goodbye Mr MacKenzie. Madness.
The list of bands with eponymous songs is an unsurprisingly short one. I suppose Big Country almost got there with In A Big Country, and Dexy's had an oblique stab at it with Kevin Rowland's Band.
It's surely a tougher thing to do when you're a solo artist, so kudos to Bo Diddley and two other nearly-made-its, Julian Cope's Julian H Cope (his middle name's actually David) and Mr Jeays by Philip Jeays, a songwriter and performer whose talent is only matched by his gobsmackingly inexplicable obscurity.
Anyway, in 1985 there was this proper eponysong, Immaculate Fools. They appeared out of nowhere and had the smell of a serious wedge of record company loot behind them. Production by Colin Thurston (Duran Duran, Magazine, Human League) and mixing by the legendary Glyn Johns (Beatles, Stones, Who, Zeppelin, you name it). Beyond the big name techies there was the real mid-80s sign of a Big Hype, the double pack 7 inch.
They were another of those bands who, like Bauhaus, Tubeway Army or Psychedelic Furs, made something decent out of having plainly spent their adolescence obsessing over Bowie. This may even have been a reason they went with producer Thurston. He was, with Bowie and Iggy Pop, one of the 'Bewlay Brothers' team that produced Lust For Life.
The song is a glorious pop swooner. The way it just rolls in from the intro, the stately glide, a little arty and knowing, somehow simultaneously contrived and effortless, graceful and swaggering, and a chorus that sticks in your head for days.
There is a video on Youtube, but I'd recommend just listening first. They look soooo 80s. Floppy fringe? Check. Waistcoats? Check. Mullets, too many tom-toms, big glasses, peroxide? Yep, all there. It distracts from the real worth here, the richness of tone, the way the dry English voice cuts over the warm, woody soar of the chorus.
It scraped to number 51 in the charts, no other hits. A one-hit wonder I bought at the time and know very little about, but it still sounds great today and more people should hear it. Now that's what doing an MP3 blog's all about.
The back cover warns me that home taping is killing music and it's illegal.
It's also anachronistic. Don't tape this track, help yourself to the MP3 instead.
[MP3 deleted to make way for new ones, sorry!]